If they're so ahead of their time in terms of sexism and racism, why should they still see homosexuality as fair game for sneering humour? Well, they're 22-year-olds in 1973, let's not ask for the moon. Nor are we meant to sympathise with the nightclub racist – Freddie's friend Bruce (Tom Hughes) punches him in the face for his remark.īut we are meant to sympathise with Freddie and Bruce. We're plainly meant to roll our eyes at Gervais and Reid's characters – they play the father and grandmother of lead character Freddie (Christian Cooke) and he bluntly tells them: "You lot don't half talk some bollocks." He's in love with a local girl whose desire to be her own person is laughed off by her dad and fiance Gervais states in the film's production notes that Freddie is "different to the other men because he gives the women he meets a second glance in a world of misogyny". But the gay-baiting banter in Cemetery Junction leaves me uneasy. It's all nested in metaphorical quotation marks: "You aren't meant to sympathise with these characters," perhaps, or, "It's set in 1973, things were different then." Gervais's character takes aim at the French and the Arabs Anne Reid's grandma talks about "the blacks" being "pretty when they're babies" a bloke in a club smirkingly describes a black girl as "a monkey".
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After all, Cemetery Junction – like The Office and Extras, from the Ricky Gervais and Stephen Merchant stable – is full of awkward, politically incorrect humour. When the gag is repeated at the end of the film? Also high spirits, nothing to get het up about.
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And, when two of them interrupt the other at work to declare over a train station PA that a particular passenger is "a massive bender", that's just a giggle too. Little do they know, Elton John's a poof too! So, just banter.
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"Stop listening to music made by poofs," one says. In that context, a few yuks about gayness could pass as classy banter – as in the lads' first verbal exchange, where a taste for Vaughan Williams is designated "the test of queerness". We can tell the three lads at the centre of Cemetery Junction aren't out of adolescence from their first encounter, when one farts in another's face while the third stands by laughing.